Rio’s bar culture is crazy for chicken. It’s common to see at bars dozens of the cooked birds laying within heated glass cases, awaiting hungry customers. The more popular the botequim, the more parts of the chicken are available. In the fancy bars of Ipanema and Leblon you can only find voluptuous breasts and legs, accompanied by salads and risottos. But in more humble botequins in the North Zone or further out in the suburbs, you’ll find gizzards, feet, beaks, and even rear ends. Yes, cu de galinha is a rare delicacy in Rio... Not only is every part of the chicken appreciated, but also all ages of the bird.

Theres’s a new phenomenon in Rio’s botequim scene. Until some years ago, running one of these small bars was something done exclusively by immigrants from Portugal, Spain and Brazil’s northeast. But ever since botequins became extremely popular among the carioca middle class, new players have gotten into the business: the customers themselves. Since the beginning of the 21st century, it has become more and more common to hear about botequim customers who decided to buy the bars they used to frequent. Initially, it might be to help the former owners and to keep the bar from closing due to financial problems. But then they might notice that running a botequim in Rio can be enjoyable –and also good business, if the job is well done.

Even the pigeons of Copacabana know that Galeto Sat's – the old, ugly botequim located on the first block of Barata Ribeiro Street – has become one of Rio’s most important bohemian institutions since it was acquired by the Rabello family 10 years ago. The new owners changed the spirit of the bar, making it a hit – especially for those who love to eat and drink well, all night long. Even Anthony Bourdain turned the spotlight on this place for his TV show, “No Reservations.” The one problem that remained, however, was its size. Because the bar is very small – just 30 seats – it’s always crowded.

Like the classic optical illusion of the faces and the vase, look at Rio and you’ll see two sharply contrasting versions. First is the seemingly easygoing beach city of rubber sandals and gushy greetings as insincere as they are well intentioned. (“Passa lá em casa!” “Come by my home!” The carioca will actually be quite stunned if you show up at his home afterward.) On the other side of the illusion is the Rio that loves formality, titles, certificates and hierarchies. A Rio judge has a decade-long lawsuit against the doorman of his building, who refused to call him “doctor” and “sir,” which recently reached Brazil’s Supreme Court, which declined the case.

Let’s say you have only two or three days in Rio. You want to experience a little real Brazilian culture and don’t want to restrict yourself to the obvious tourist stops, overhyped bars and restaurants or usual “gringo” nightlife spots. Our recommendation? Spend a night or day – or both, even – at Feira de São Cristóvão. The feira, which means “fair,” is organized by people from the northeast (nordeste), which is the poorest region in the country. That poverty has led millions of northeasterners to migrate to Rio over the last 50 years to seek a better life. And Feira de São Cristóvão is where they express themselves culturally, musically and, last but not least, gastronomically.

It might have become one of the more fashionable places in Rio for a caipirinha, yet the name of this father-son joint – “Portuguese Kiosk” – suggests humility. Indeed, the pair got their start a decade ago in one of the numerous huts that line the city’s beaches. While the majority of their competitors served the tasty, tried-and-true Rio basics – traditional caipirinhas made with cachaça; beer and French fries – to sandy-toed beachgoers, Manoel Alves, now in his early seventies, wanted to offer something different. He tried importing cheeses from Portugal, his parents’ homeland (hence the venue’s name), but found that the international products went bad too quickly to please health inspectors.

Athletes, spectators and everyone else gathered in Rio for the Summer Olympics will have no shortage of good eating options – and not just in the usual touristed areas. We’ve rounded up some of our favorite spots around town. CADEG The 100,000-square-meter market is divided into three warehouse-style floors, with a pavilion just for flower sales at the rear of the second floor. (The building sits on an incline, so you can enter from the street either on the ground floor or from behind the second.) The market is open 24 hours. Early mornings on Thursday and Saturday are the top time for flower shopping. Saturday afternoon is Cantinho das Consertinas’s Festa Portuguesa, with up to 1,000 attendees queuing for a host of salt cod dishes on the second floor.

Quintal Gourmet is the story of a doting son, one who's also delighted to be able to spend more time in his home, the City of God. Yes, the one from the movie. Carlos Vinícius, 29, a man as towering as he is smiley, looks at his mother, wiry and fast-talking Joyce, with a doe-eyed affection that seems to be deeply mutual. "I always followed my mom," he says. Before Quintal Gourmet, the two worked as domestic help, with Carlos Vinicíus a caretaker for an elderly woman. When his 72-year-old patroa passed away, he longed to spend more time with his own community rather than leave the favela each day for work.

Glória is a crossroads of Rio de Janeiro. It’s where the beach and bayside South Zone end before you hit the historical and commercial Centro. It’s home to the storied, luxurious Hotel Glória and the working-class favela Santo Amaro, a five-minute jog away through lines of rifle-armed soldiers meant to keep crack users at bay. There’s the state archdiocese by day, and by night, a red-light zone for legally operating transvestite prostitutes. It comes as no surprise then that Glória’s weekly feira is one of the city’s most authentic and most colorful street markets. Like the vendors on foot on Rio’s beaches, would-be restauranteurs experiment at the feira before spreading their wings on the wider urban gastronomical scene.

Carioca summer culture is dictated by the heat. It’s courteous to ask guests if they’d like to take a quick shower upon arriving at your home (because everyone takes multiple showers a day in the summer). Beer at parties must be estupidamente gelado. Movie theaters sell out even for so-so films because the air conditioning inside is delícia. This year, the Rio city government took the bold step of legalizing the use of knee-length shorts for city employees and bus drivers during the summer. Four other critical ways that locals chill out are: sorvete (traditional ice cream), picolé (popsicles), gelato and sacolé (anything frozen in a plastic sack).

Delicious Amazonian food is just one element of our truly adventurous walk in the artsy, hillside Rio de Janeiro neighborhood of Santa Teresa.

As an electrician in the Galeão international airport, Emerson Gama responded to emergencies like exploding transformers. But in his spare time, he was becoming a self-made expert on Latin American mythology, tropical ecology and sustainable resource management. These passions led him to quit his job four years ago; since then, Gama has become the Rio de Janeiro chocolatier with the most dedicated cult following. Only a few South Zone specialty stores carry his Quetzal chocolates, and where they come from is largely unknown, both to the clients on the long waiting lists for deliveries and to Gama’s own neighbors. The “secret” source?

When they come into this shoebox of a pizzeria that still looks like the pé sujo (“dirty foot”) bar it previously was, clients often ask: But where’s Chico? That’s because they’re expecting Santa Teresa’s most beloved pizza chef to be a rotund and cherry-cheeked grandfatherly figure, perhaps in a red or green apron to make the point hit home. The toothy-grinning and somewhat lanky real Chico is instead someone who likes wearing running shoes to work so he can sprint out of his kitchen to greet the passersby on this cobblestone street for which he feels such affection he turned down a proposal to move to California. (More on that later. It involves Sylvester Stallone.)

At Bar do Momo in Tijuca, there are many things to celebrate, but the two dishes starring jiló are particularly magnificent – and show how this little gastropub punches well above its weight. A green, meaty, slightly bitter cross between an eggplant and a pepper, jiló was brought to Brazil from West Africa during the slave trade. At Bar do Momo, the vegetable is served two ways: One is the jiló recheado, not unlike a chile relleno, stuffed with beef and mozzarella cheese that melts into a savory broth. The other is the only Brazilian guacamole worth your time: made from tangy pickled jiló, red onion, tomato, lime, cilantro, and Brazilian dedo de moça pepper.