Istanbul's conservative Fatih district has perhaps the highest concentration of Syrian refugees in the city, and the tree-lined Akşemsettin Street boasts a staggering number of Syrian eateries, from spacious sit-down affairs with full menus to hole-in-the-wall, standing-room-only kiosks slinging shawarma, fried chicken, and falafel. Having popped up rapidly amid the waves of Syrians fleeing the devastating civil war that has displaced more than half the country's population, these establishments have made a firm imprint on the culinary scene. While the falafel at many of these places is a mediocre afterthought overshadowed by the more popular poultry-based items, we found one counter offering falafel and falafel only, serving up a generously crafted sandwich the size of a chubby child's forearm for a measly TL 2.50 (US$0.75).

Up above Freedom Square where the Sololaki and Mtatsminda neighborhoods blend together, there is a 100-year-old building with an apartment five steps below the sidewalk. It’s a warm, intimate space, part living room, part museum. A massive collection of wine glasses hang from the ceiling, 19th-century framed portraits of Georgians decorate one wall above a piano, while opposite are glass cases displaying antique ceramic pitchers and elegant, polished drinking horns called kantsi. There are also two vintage silver vessels – exquisite ashtray-sized pans with long stylized handles used in days of old for drinking wine to special toasts. This cup is called an azarphesha, and this entire collection (and the walls containing it) belong to Luarsab Togonidze, a folklorist, author, entrepreneur and co-owner of this welcoming restaurant, also called Azarphesha.

Once the stomping ground of sailors and the Corsican mafia, Marseille’s oldest district, Le Panier, has evolved into a tourist hub and creative neighborhood. Its winding streets are peppered with ateliers (like blade smiths, chocolatiers and painters) and the 17th-century facades are canvases for colorful murals. One of them, a powerful black-and-white image of a couple kissing, faces the funky cantine and concept store, Ahwash. Its owner, Amar, commissioned the Alberto Ruce work – a sign of the artistic energy infused throughout his unique place. Named for the traditional Berber dance in which men and women mix together, Ahwash is a blend of Amar’s worlds – of Morocco and France, of art and cooking. “Eating here is like coming to my house,” he smiles, serving tagines to patrons sitting at vintage tables topped with glowing candles, their dripping wax embodying the restaurant’s romantic and relaxed ambiance.

In Oaxaca, having a proper, hearty breakfast and also being on the go are not necessarily contradictory things. Memelas de San Agustín, an easy-going spot that has been feeding hungry Oaxacans for at least 15 years, is living proof. This small stall doesn’t have an official name – people just started referring to it this way since it’s located right behind the Iglesia de San Agustín on Fiallo Street. But it’s become a beloved destination for delicious versions of its namesake dish – essentially thick corn tortillas that are pinched around the edges and in the middle, making the texture slightly uneven so that their toppings (and their juices) stay in place.

This is a story that starts and ends with the land. First there was the father, Spyros Vracha, a farmer who owned fields nearby Chalandri, now a middle-class suburb around 8 km north of downtown Athens. His crops supplied the kitchens of the tavernas in the area, which until the 1980s was dotted with villas, rather than the apartment blocks of today. Before it closed down almost 30 years ago, Ta Marmara (“The Marbles,” so called because of Chalandri’s many marble suppliers and workshops) was one of the tavernas that Spyros supplied. It was owned by Stavros and Athena, Spyros’ neighbors.

Portugal is famed for its sweet, fortified wines. Porto and Madeira are home to some of the world’s top tipples of this kind and the muscatels produced in the hills around Setúbal have a more discreet, but growing reputation. So why has nobody heard of vinho de Carcavelos? After all, this honey-hued fourth member of the vinho generoso club is rooted right in the suburbs of Lisbon rather than some remote Atlantic island or distant northern valley. Its history dates back at least to the 15th century and is intimately linked to the greatest Portuguese statesman since the Age of Discoveries. Yet, until recently, Carcavelos was a wine at risk of extinction.

Like many of Mexico’s best taquerías, Tacos Manolo greets its patrons from a block away with its alluring smell. But it isn’t the well-known odor of fired achiote on a swirling spit of al pastor or the equally recognizable heavy scent of bistek searing on a griddle. No, the aroma wafting down this particular block of Calle Luz Saviñon is a mystery to the uninitiated – a unique, unplaceable perfume that allures as much as it confuses. It is the smell of onions and unknown meats and mystery sauces bubbling together, fusing into something greater and more delicious than the sum of its parts. It is the smell of the eponymous Taco Manolo, a one-of-a-kind dish that has brought the restaurant fame and accolades.

After a morning spent walking around the Fontanelle Cemetery, the oldest ossuary in Naples, and the Sanità market, we believe that we have created enough of a calorie deficit to face a fried pizza – the original pizza, born before the more familiar oven-baked variety, and a universally beloved dish in the Neapolitan cuisine – with self-acquittal. And in the Sanità neighborhood, there’s no question that we’ll be seeking out the fried pizza of Isabella De Cham. The 26-year-old makes creative and high-quality fried foods in an elegant and polished restaurant, with a black-and-white color scheme – not quite what you’d expect for a fried pizza joint, although the familiar warmth is still there.

Chefs have long touted – and scientific research has confirmed – that we “eat with our eyes.” Hence the swishes and swirls of plating. Yet the importance of visual stimulation extends beyond food to include restaurant design, a point that is not lost on the all-day café Monsieur Madame. The eye-catching space is so full of ‘60s and ‘70s knick-knacks that you might mistake it for a vintage shop. Vinyl records are used as placemats on the brightly colored Formica tables. Shelves overflow with old cameras and plastic figurines. From wooden crosses to mounted fish heads, the walls offer a visual feast – so chock-a-block with mementos the vivid print wallpaper is somehow mellowed.

Editor’s note: We are very happy to be able to add Oaxaca to the growing list of cities CB is covering. Our coverage of that city’s deep and fascinating culinary scene begins today, with our report on Oaxaca’s State of the Stomach. Every Sunday, a vendor named Domitila heads out from a village called Etla and makes the hour-long journey to Oaxaca, where she sets up a small stand at a market on the north side of town and sells tamales filled with her homemade stews and moles. The many ingredients for these stews and moles cook slowly, for hours, after which Domitila combines them with spices, chile, chicken or cheese and mixes them into a cornmeal dough spread inside a cornhusk and then steamed – the quintessential Oaxacan snack, one that combines all of the area’s agricultural and culinary richness in one package.

Editor’s note: We are very happy to be able to add Oaxaca to the growing list of cities CB is covering. Our coverage of that city’s deep and fascinating culinary scene begins today, with our report on Oaxaca’s State of the Stomach. Every Sunday, a vendor named Domitila heads out from a village called Etla and makes the hour-long journey to Oaxaca, where she sets up a small stand at a market on the north side of town and sells tamales filled with her homemade stews and moles. The many ingredients for these stews and moles cook slowly, for hours, after which Domitila combines them with spices, chile, chicken or cheese and mixes them into a cornmeal dough spread inside a cornhusk and then steamed – the quintessential Oaxacan snack, one that combines all of the area’s agricultural and culinary richness in one package.

When Tomás Gonzalez brought his family to New York City from Acapulco in 1985, they settled first in the South Bronx. His new home had little in common with his old home, a port city and the tourist heart of Mexico’s Guerrero State on the Pacific Coast. But one constant remained: his desire to cook. Sr. Gonzalez spent much of his life in and around the restaurant his family ran in Acapulco, a faraway paradise that most people in the States knew only from prize holiday packages on The Price is Right. He first tried selling churros on the Grand Concourse in the Bronx, but quickly realized that there were not enough Mexicans to buy them.

When you hear something go crunch on the left side of L’Eixample, whether crispy bread or churros, croquettes or socarrat, the toasted bottom of paella, there’s a good chance it came from the kitchen of Miquel Pardo. The 30-year-old chef runs his own restaurant called, appropriately, Cruix (Crunch), a place to have fun with food and discover amazing rice dishes from Castellón, a province in the Valencian Community. A native of this region, Pardo mixes his granny’s sofritos with a creativity inspired by the Adriá brothers, cooking dishes that will fill the stomachs of his relatives and friends, among whom he counts the clients of his restaurant.

Once the province of late-night slurping at street carts or standup counters, instant meals and cheap dining, ramen has undergone a renaissance over the last 18 years, making it onto haute hipster tasting menus in the West and creating punishing waits outside the “it” ramen-ya of Tokyo and Osaka. As the New Year began we decided to revisit the roots of classic ramen dining in Tokyo and paid a visit to the original Afuri ramen stand in Ebisu. Could it already have been 17 years since this place opened its doors to a hungry mob? Tucked into a back street in the warren that surrounds Ebisu station and facing the back exit of Ebisu yokocho (the newest trendy eating alley in Tokyo), this clean, well-lighted place has stood the test of time and continues to thrill.

Once the province of late-night slurping at street carts or standup counters, instant meals and cheap dining, ramen has undergone a renaissance over the last 18 years, making it onto haute hipster tasting menus in the West and creating punishing waits outside the “it” ramen-ya of Tokyo and Osaka. As the New Year began we decided to revisit the roots of classic ramen dining in Tokyo and paid a visit to the original Afuri ramen stand in Ebisu. Could it already have been 17 years since this place opened its doors to a hungry mob? Tucked into a back street in the warren that surrounds Ebisu station and facing the back exit of Ebisu yokocho (the newest trendy eating alley in Tokyo), this clean, well-lighted place has stood the test of time and continues to thrill.